kirkusreviews.com
A pair of shoes serves as the
constant in a grueling trek across three borders.
Young René and Papá together begin a
northbound journey, by foot and bus, away from their native El Salvador. As
they cross into Guatemala, then Mexico, and finally the United States, the
story repeats a chorus of “Uno, dos, tres,” representing the number of borders
they must cross. It is uncertain whether the father-son team is crossing these
borders with required documentation until they are waist-deep in a rushing
river before joining Mamá on the other side. If there’s a moment when readers
realize the perils of their journey, it’s here. Nevertheless, Colato Laínez
handles the narration gently. Framing the narrative deliberately and at the
center of Vanden Broeck’s illustrations are René’s shoes, often depicted from
low angles or bird’s-eye views. Brush-stroked spreads depicting various
landscapes—lush, green scenes, muddy trails, mountains, cities, the river—are reminiscent
of Central American artwork often depicted on murals, souvenir trinkets, or
postcards. Not until the last spread does Vanden Broeck finally unveil René’s
smiling face in its entirety. The bilingual narrative is told in short
sentences and enlivened with repetition, running metaphors, and sound effects,
easily engaging readers.
Inspired by the author’s own story,
this tale of a young boy’s arduous escape serves as a crucial, insightful, and
timely light shone on a sensitive, highly relevant subject. (author’s note) (Bilingual picture book. 6-10)
Add comment