GIRL GONE MISSING

In her second outing, Cash Blackbear goes off to college and
finds herself embroiled in the mystery of a missing classmate.

“I’m not used to folks treating me like I’m stupid,” says Cash.
But Moorhead State is another world, one slow to disclose the secrets of its
initiated. When Cash (Murder on the Red River, 2017) attends a meeting
called by the guidance counselor, Mrs. Kills Horses, to launch a new college
chapter of the Indian Studies Association, the other students who turn out seem
to be on another planet. When she wants to test out of her entry-level English
class because the simple assignments bore her, professor LeRoy, the department
chair, acts as if she can’t be serious. The activities most congenial to
her—picking farmer Milt’s sugar beets and loading them on a truck, shooting
pool at Shorty Nelson’s bar, drinking beer with her married ex-lover, Jim
Jenson, smoking a million cigarettes—are all things she did long before she
arrived at Moorhead State. Not even the request by Sheriff Dave Wheaton, who
plucked the 3-year-old Cash from the wreck that killed her mother, to speak
with the parents of vanished classmate Janet Tweed seems to lead anywhere. Only
the unheralded return of Mo, the brother she’d long since forgotten, from his
stint as an Army medic to Cash’s place, where he promptly installs himself,
awakens much of a response, and it’s one that’s not entirely positive. Nothing
will get Cash’s engines revving, it seems, but being snatched and imprisoned
along with Janet and half a dozen other cheerleader types. Unfurling her secret
weapons—the ability to take a beating and a dead-eyed determination to be
accountable to no one but herself—she methodically plans an escape that will be
capped by Mo’s remark: “What’d I tell you? White slavery.”

The furious intensity of the heroine’s simmering energy
overshadows most of the cast. It’s a particularly nice touch, though, that the
kidnapper, once identified, is never seen again, vanishing as completely as
last week’s trash.