ROAR

As
they near 60, smart, savvy women become increasingly invisible in our ageist
society. Who can diagnose, much less fix, maladies of a sociocultural nature?

Acutely
attuned to the subtle sexism, ageism, racism, and every other -ism constricting
women’s live, Ahern (Perfect, 2017, etc.) returns with a collection of
curiously delightful fables imagining what would happen if the emotional trials
of women’s lives manifested in reality. Each tale’s protagonist is simply named
“the woman,” letting each story resonate as simultaneously personal and
universal. With echoes of Kafka’s Metamorphosis and Sexton’s Transformations,
Ahern lets each of her protagonists physically manifest the tribulation that
social, cultural, and familial expectations have pushed her to internalize. A
woman who has escaped a war zone only to face relentless discrimination,
particularly from the wealthy tennis moms at her children’s school, grows
gorgeous wings. A young mother of three, struggling to balance the demands of
children, husband, and work, suddenly finds herself covered in inexplicable
bite marks, as if she were being eaten alive by her never-quite-fulfilled
responsibilities. In a fantastic world in which women can buy, return, and
exchange husbands, one empty nester faces the difficult decision of whether to
accept her flawed husband and their imperfect love. In a dystopian work in
which gender roles are enforced through a police state, one woman strives to
make a difference for her child, who may not easily fit in such a binary world.
And in “The
Woman Who Roared,” multiple women, from multiple walks of life, all roar back
at a stifling world, channeling their inner Helen Reddys, who, of course,
announced, “I am woman, hear me roar, in numbers too big to ignore.”

A
sharp, breathtaking collection of fables.