AMERICAN HEROIN

Ruthless LA gang leader and elementary school mom Lola Vasquez
is back, avenging old betrayals and dealing with new ones.

“Twenty-eight years old, no more than five-foot-three, ninety-eight
pounds, some of that weight accounted for by her long, rope-thick black hair.”
In a follow-up to Love’s debut thriller (Lola, 2017), her tiny but
deadly protagonist is now a full-fledged drug lord, running the Crenshaw Six gang
and its heroin business out of a couple of apartments in a courtyard complex.
Her sideline is administering immediate and severe punishment to anyone who
abuses a woman or mistreats a child—and it is one of these do-good-by-doing-bad
operations that kicks off the gang war that is the focus of this novel. Lola is
now raising a little girl whose dead mother pimped her out for drug money
(Lola’s spaced-out ex-junkie mom, still on the scene, did the same thing
with Lola), and she has a new partner in the drug business, a white woman who’s
a Los Angeles prosecutor. Though Lola’s tastes are generally modest—she
drives a Honda Civic and invariably wears a white tank top and cargo pants—she
has lots and lots of money, part of which she uses to send her daughter to a
fancy private school where she is the only nonwhite student “aside from three
Asians and a Nigerian family with lilting English accents.” Lola is obsessed
with race and racism, so she has trouble coming to terms with her attraction to
the sandy-haired, board-shorts–wearing dad of one
of Lucy’s schoolmates. If she gives in, she’ll be cheating on Manuel, one of
her soldiers in the gang, with whom she maintains a strictly sex, strictly
secret relationship. It is a complicated story with many twists, and Love
spends a lot of time trying to help the reader remember key facts and keep
everything straight in a way that gets a bit annoying.

You can’t help loving this coldblooded murderer.